
Plugin Tiles now give you simpler, heads-up versions of plug-in UIs and controls.New Sound Browser with streamlined / consolidated categories for loops, patches, etc., tag selection (by genre, part, etc.) – overdue, really, especially compared to some competing tools.Pencil support for precise automation, etc.There’s a lot of cool-looking stuff in Logic not only is this an easy way to take your favorite Apple effects and instruments on the go and edit projects with roundtrip support, but you get one of the most full-featured DAWs for ipad to date.
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(For comparison, Blackmagic recommends an M1 or better for its DaVinci Resolve, and says you are limited to HD resolution and may run into memory restrictions on other models.) Highlights in Logic Pro As I read it, that works out to the iPad Pro generations above, plus a number of non-Pro iPads. It looks like you really want an M1 or better iPad for FCP.įor Logic Pro: any iPad with the A12 Bionic chip or later, iPadOS 16.4 or later. There’s a one-month free trial available.įor now this is only a subscription for iPad there’s no change to pricing for desktop Mac versions.įor Final Cut Pro: 12.9 iPad Pro (5th or 6th generation), 11-inch iPad Pro (3rd or 4th generation), or iPad Air (5th generation), iPadOS 16.4 or later. I’m a little surprised there’s no bundle here a la Apple One, at least not yet.

Billing and compatibilityĮach app is billed individually US$4.99 a month or $49 annually, available May 23. Serious versions of Logic and Final Cut, designed as companions to your desktop Mac apps (or an entry point for new users on the iPad side). There’s also Pencil support plus your standard shortcuts via Apple’s keyboard accessories. Desktop versions also will get some features from the iOS version shortly, too, though I’ll cover that in detail as that information becomes available.

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Logic Pro is even closer to the full version you can trainspot nearly all the known effects and instruments, plus a full editing and mixing interface. Final Cut on the iPad has the full editing interface, transitions, effects, titles – it really seems like Final Cut Pro on iPad, not a stripped-down companion app. But both deliver a lot of the desktop power in that interface. They’re available via subscription fee for the first time.īoth apps are built with new touch interfaces. Apple this month is releasing native iPadOS versions of Final Cut Pro and Logic Pro, with touch (and Pencil) interfaces, but desktop-style functionality.
